Genetic Salon: Red Room (2021) stages a fragment of a forgotten timeline—from the first gene-edited babies (2018) and the global pandemic (2020) to the imagined emergence of Genetic Salon a thousand years later. The room functions like a ruined museum display: video, text and archival objects present genetic engineering as civilisation’s core narrative, yet everything appears abandoned—dusty, partial, and breaking down.

Solo Exhibition: Skylight Gallery, KHiO, Oslo.
Photos taken by KUNSTDOK Istvan Virag

Video and Text Installation A spotlight, Projector, Speaker, 8 flashlights, Labels, Resin hand sculpture, Wigs, Badge of Genetic Salon, Soil