yushukpui余淑培

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<channel>
	<title>yushukpui余淑培</title>
	<link>https://yushukpui.com</link>
	<description>yushukpui余淑培</description>
	<pubDate>Fri, 03 Jul 2026 19:48:28 +0000</pubDate>
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	<item>
		<title>A Table Without Us</title>
				
		<link>https://yushukpui.com/A-Table-Without-Us</link>

		<pubDate>Fri, 03 Jul 2026 19:48:28 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/A-Table-Without-Us</guid>

		<description>2025A Table Without Us
&#38;nbsp; &#38;nbsp; 

	
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/de161a4762876b376639cf3a70e740bd93d32a2f69026daceb50dbbd53f2f561/026_06_Van_Etten_Yu-Shuk-Pui-Bobby_WebRes_6.jpg" data-mid="250055299" border="0"  src="https://freight.cargo.site/w/1000/i/de161a4762876b376639cf3a70e740bd93d32a2f69026daceb50dbbd53f2f561/026_06_Van_Etten_Yu-Shuk-Pui-Bobby_WebRes_6.jpg" /&#62;
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A Table Without Us takes a Lunar New Year dinner as a scene of bodily debt, where care, silence, money, and unresolved family tensions are distributed through festive dishes and seating arrangements. Built from paper, the dining table becomes both abundant and fragile: a family ritual that appears complete on the surface, yet remains swollen, blocked, and undigested within.


Paper installationPaper, wooden sticks, printsDimensions variable2026


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		<title>The Translation of Pain</title>
				
		<link>https://yushukpui.com/The-Translation-of-Pain</link>

		<pubDate>Fri, 03 Jul 2026 19:48:25 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/The-Translation-of-Pain</guid>

		<description>2026The Translation of Pain &#38;nbsp;&#38;nbsp;

	
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The Translation of Pain reconstructs a therapy room at 1:1 scale with paper and wooden sticks, asking how bodily pain becomes legible through language, translation, and medical systems. As the first chapter of Hemorrhoid Loans, the work focuses on the moment when private shame enters a room, and the body begins to be read as both a medical and emotional archive.


Paper installationPaper, wooden sticks, printsDimensions variable2026


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		<title>Curses: Final Girls</title>
				
		<link>https://yushukpui.com/Curses-Final-Girls</link>

		<pubDate>Fri, 03 Jul 2026 19:48:20 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/Curses-Final-Girls</guid>

		<description>2025Curses: Final Girls
&#38;nbsp; &#38;nbsp; 

	
	Curses: Final Girls is a moving-image work that gathers three haunted female figures across East Asian and Nordic imaginaries: the Taiwanese human-faced fish, the Norwegian Huldra, and the contemporary K-pop idol. Through horror, folklore, fandom, and pop performance, the work reflects on how female bodies are transformed into myths, warnings, spectacles, and objects of desire.


Curses: Final Girls asks what kind of body survives after being looked at, consumed, feared, and loved too intensely.


	Film4K, colour, sound 5.1, 16:915’04”Edition of 5 + 2 AP2025


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		<title>Hand in Hand into Havoc</title>
				
		<link>https://yushukpui.com/Hand-in-Hand-into-Havoc</link>

		<pubDate>Tue, 10 Oct 2023 22:29:38 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/Hand-in-Hand-into-Havoc</guid>

		<description>2024Hand in Hand into Havoc
&#38;nbsp; &#38;nbsp; 

	
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“Hand in Hand into Havoc” draws together elements and works related to “Lykke Til,” the artist’s recently completed narrative short film, which examines life’s unforeseen challenges through the eyes of a Hong Kongese migrant living in Norway.


	Film
4K, HD, colour, sound 5.1, 16:9


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		<title>Daddy's Dinner</title>
				
		<link>https://yushukpui.com/Daddy-s-Dinner</link>

		<pubDate>Sat, 04 Jan 2025 17:28:00 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/Daddy-s-Dinner</guid>

		<description>2024Daddy’s Dinner

	
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A semi-fictional film following three friends sharing inherited family recipes in a soon-to-be-vacated Oslo apartment. While they cook and eat, the film gently reveals unresolved paternal traumas that linger beneath the surface. Domestic intimacy and surreal undercurrents coexist, as food becomes both comfort and confrontation. The film reflects on masculinity, friendship, and the emotional legacy of their fathers.


	Film
4K, HD, colour, sound 5.1, 16:9


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		<title>Lykke Til</title>
				
		<link>https://yushukpui.com/Lykke-Til</link>

		<pubDate>Tue, 10 Oct 2023 21:58:12 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/Lykke-Til</guid>

		<description>2023Lykke Til

	
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26-year-old Ann experiences a financial crisis in her life in Norway. She lives with her partner, Dag in a dilapidated apartment in Oslo. In the winter, she unexpectedly found out she was pregnant. The two’s relationship was on the brink of falling apart. However, she has a chance to face the problems she has with her girlfriend and mother. 


	Award: Best Director, 17th Hong Kong Freshwave Film Festival, 2023
	
	Film4K, colour, sound 5.1, 2.39:1, 24 min. 32 sec


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		<title>Genetic Salon - The Remains of Genetic Salon</title>
				
		<link>https://yushukpui.com/Genetic-Salon-The-Remains-of-Genetic-Salon</link>

		<pubDate>Tue, 08 Nov 2022 13:34:29 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/Genetic-Salon-The-Remains-of-Genetic-Salon</guid>

		<description>2022Genetic Salon -  The Remains of Genetic Salon

	
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The project will take the form of an on-site total installation at the PODIUM in Oslo, consisting of text and sculpture that will form the framework for the video piece: “The Remains of Genetic Salon.” 


Exhibition: The Remains of Genetic Salon, Podium OSLO, Oslo Norway. 
Photos taken by Øystein Thorvaldsen,&#38;nbsp;Tor Simen Ulstein
	
	
Multi-channel video Installation


Projector, LCD Screens, Sand, Digital printed on paper, 1945s Afterposten newspapers, a Barber Chair and a Costume that have used for the film shoot.


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		<title>Genetic Salon - In Search of Receptionists</title>
				
		<link>https://yushukpui.com/Genetic-Salon-In-Search-of-Receptionists</link>

		<pubDate>Tue, 08 Nov 2022 15:54:36 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/Genetic-Salon-In-Search-of-Receptionists</guid>

		<description>2022Genetic Salon -  In Search of Receptionists

	
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					 The film concerns a beauty company that offers high-quality genetic modifications for their customers.The film follows the five receptionists after working hours, where they secretly use the Genetic Salon's DNA trimming. One of them is suspected of selling customers who suffered memory loss after using the genetic beauty services to black market butchers.


Award: Best Editing of AltFF Alternative Film Festival, Ontario, 2022
Produced in Hong Kong and Norway
	
	
Film


4K, colour, sound 5.1, 16:9, 12 min. 24 sec


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		<title>Genetic Salon - A Corner of Alternative History</title>
				
		<link>https://yushukpui.com/Genetic-Salon-A-Corner-of-Alternative-History</link>

		<pubDate>Sat, 07 Aug 2021 12:42:05 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/Genetic-Salon-A-Corner-of-Alternative-History</guid>

		<description>2021Genetic Salon - A Corner of Alternative History

	
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This time, the historical events that are involved in the Genetic Salon will be revealed one by one, including historical scenarios that have occurred and may occur, and how they have triggered the emergence of this future.


Exhibition: Post-Human Narratives—The Co-existing Land, Cattle Depot Artist Village, Hong Kong. 
Photos taken by Wave Channel HK

	
Installation


Digital Printed on Papers, Sands, Flashlights, Wooden Brushes


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		<title>Genetic Salon - Red Room</title>
				
		<link>https://yushukpui.com/Genetic-Salon-Red-Room</link>

		<pubDate>Wed, 19 May 2021 14:06:52 +0000</pubDate>

		<dc:creator>yushukpui余淑培</dc:creator>

		<guid isPermaLink="true">https://yushukpui.com/Genetic-Salon-Red-Room</guid>

		<description>2021Genetic Salon - Red Room

	
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	Genetic Salon: Red Room (2021) stages a fragment of a forgotten timeline—from the first gene-edited babies (2018) and the global pandemic (2020) to the imagined emergence of Genetic Salon a thousand years later. The room functions like a ruined museum display: video, text and archival objects present genetic engineering as civilisation’s core narrative, yet everything appears abandoned—dusty, partial, and breaking down.


Solo Exhibition: Skylight Gallery, KHiO, Oslo. 
Photos taken by KUNSTDOK Istvan Virag


Video and Text Installation


A spotlight, Projector, Speaker, 8 flashlights, Labels, Resin hand sculpture, Wigs, Badge of Genetic Salon, Soil


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